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Teaching Children Tennis the Vic Braden Way Little Brown & Co (P)? Vic Braden? LittleBrown&Co(P)? VicBraden? ジャンル別? Substores-UnknownASINs-8 Subjects-Sports-General? Vic Braden's Mental Tennis How to Psych Yourself to a Winning Game Little Brown & Co (T)? Vic Braden? Robert Wool? LittleBrown&Co(T)? VicBraden? RobertWool? ジャンル別? Substores-UnknownASINs-8 Subjects-Sports-IndividualSports-Tennis-General? Subjects-Sports-General? Fashion Show Or, the Adventures of Bingo Marsh A Novel Little Brown & Co (T)? James Brady? LittleBrown&Co(T)? JamesBrady? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? A Time to Dance A Novel Little Brown & Co (T)? Melvyn Bragg? LittleBrown&Co(T)? MelvynBragg? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-British? Prescription for the Boards Usmle Step 2 Little Brown & Co? Radhika Sekhri Breaden? Cheryl Denenberg? Kate C. Feibusch? Stephen N. Gomperts? LittleBrown&Co? RadhikaSekhriBreaden? CherylDenenberg? KateC.Feibusch? StephenN.Gomperts? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Education&Training-TestPreparation&Review? Subjects-Medicine-General? Subjects-Medicine-InternalMedicine-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-General? Subjects-Professional&Technical-Medical-Medicine-TestPreparation&Review? Subjects-Professional&Technical-Medical-General? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Science-Medicine-Education&Training-TestPreparation&Review? Subjects-Science-Medicine-General? Subjects-Science-Medicine-InternalMedicine-General? Introduction to Respiratory Physiology Little Brown & Co (T)? Harold A. Braun? F.W., Jr., M.D. Cheney? C.P., M.D. Loehnen? LittleBrown&Co(T)? HaroldA.Braun? F.W.,Jr.,M.D.Cheney? C.P.,M.D.Loehnen? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Nursing-General? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-Nursing-General? The Runaways Children, Husbands, Wives and Parents Little Brown & Co (T)? Myron Brenton? LittleBrown&Co(T)? MyronBrenton? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Anthropology-Sociobiology? Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? Administrative Law and Regulatory Policy Problems, Text, and Cases (Law School Casebook Series) Little Brown & Co Law & Business? Stephen G. Breyer? Richard B. Stewart? LittleBrown&CoLaw&Business? StephenG.Breyer? RichardB.Stewart? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-One-L-ConstitutionalLaw? Subjects-Law-One-L-CivilProcedure? Subjects-Nonfiction-Law-One-L-ConstitutionalLaw? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Professional&Technical-Law-One-L-CivilProcedure? Infectious Disease in Emergency Medicine Little Brown & Co? Judith C., M.D. Brillman? Ronald W., M.D. Quenzer? LittleBrown&Co? JudithC.,M.D.Brillman? RonaldW.,M.D.Quenzer? ジャンル別? ジャンル別-mirror-test-test-subtier-Communicable? Substores-UnknownASINs-8 Subjects-Medicine-BasicScience-Microbiology? Subjects-Medicine-Diseases-Communicable? Subjects-Medicine-Specialties-EmergencyMedicine? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-InfectiousDisease-CommunicableDiseases? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Emergency? Subjects-Science-Medicine-BasicScience-Microbiology? Subjects-Science-Medicine-Diseases-Communicable? Subjects-Science-Medicine-Specialties-EmergencyMedicine? Parting Shots Little Brown & Co (T)? Freda Bright? LittleBrown&Co(T)? FredaBright? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Women sFiction-DomesticLife? Subjects-Literature&Fiction-General-Contemporary? 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Subjects-Science-Medicine-Physician&Patient-MedicalEthics? Legal Drafting Aspen Publishers Inc.,U.S.? Susan L. Brody? AspenPublishersInc.,U.S.? SusanL.Brody? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-One-L-LegalWriting? Subjects-Nonfiction-Law-One-L-LegalWriting? Subjects-Professional&Technical-Law-One-L-LegalWriting? Subjects-Reference-Writing-WritingSkills? The Great Power-Line Cover-Up How the Utilities and the Government Are Trying to Hide the Cancer Hazard Posed by Electromagnetic Fields Little Brown & Co (T)? Paul Brodeur? LittleBrown&Co(T)? PaulBrodeur? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-General? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Environmental? 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LittleBrown&Co(T)? JacobBronowski? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? November, 1918 The Last Act of the Great War Little Brown & Co (T)? Gordon Brook-Shepherd? LittleBrown&Co(T)? GordonBrook-Shepherd? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-20thCentury-WorldWarI? Subjects-History-Europe-General? The Guinea Pigs' Adventure Little Brown & Co (Juv)? Andrea Brooks? LittleBrown&Co(Juv)? AndreaBrooks? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks? Songs of My People African-Americans A Self Portrait Little Brown & Co (T)? D. Michael Cheers? Eric Easter? Dudley M. Brooks? Sylvester Monroe? LittleBrown&Co(T)? D.MichaelCheers? EricEaster? DudleyM.Brooks? SylvesterMonroe? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-Photography-General? Subjects-Arts&Photography-Photography-Portraits? 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Read This and Tell Me What It Says Univ of Massachusetts Pr? A. Manette Ansay? UnivofMassachusettsPr? A.ManetteAnsay? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-ShortStories? Path Through Catholicism Resources for Christian Living,US? Mark Link? ResourcesforChristianLiving,US? MarkLink? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-ChristianLiving-Faith? G.O.D. undefined undefined undefined Trucking Webtutor - Blackboard Standalone International Thomson Publishing? PTDI? InternationalThomsonPublishing? PTDI? Substores-UnknownASINs-35 Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-VocationalGuidance? Formats-Audiocassettes-General? Revision para el examen de Principios para Esteticistas del Estandar de Milady Milady Pub Corp? O Neil? MiladyPubCorp? O Neil? Substores-UnknownASINs-35 Subjects-Business&Investing-Careers-Guides? Subjects-Health,Mind&Body-Beauty&Fashion-Cosmetics? Subjects-Health,Mind&Body-Beauty&Fashion-SkinCare? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Reference-Careers-Guides? Writing from A to Z Im William C. Brown? Reagon? WilliamC.Brown? Reagon? undefined undefined Macgamut (Graded Aural Music Trng) William C. Brown? Blombach? WilliamC.Brown? Blombach? undefined undefined Aural Skills for Conductors Mayfield Pub Co? Wayne Bailey? MayfieldPubCo? WayneBailey? Substores-UnknownASINs-35 Subjects-Entertainment-Music-Theory,Composition&Performance-Conducting? Subjects-Entertainment-Music-Theory,Composition&Performance-Instruction&Study? Subjects-Entertainment-Music-Theory,Composition&Performance-Theory? Sex and Gender 2e Im McGraw-Hill Education? Lips? McGraw-HillEducation? Lips? undefined undefined Explorations New Appr Musc MAC Im William C. Brown? Kolosick? WilliamC.Brown? Kolosick? undefined undefined Dev Teaching Skills Phys Edcn 3e I William C. Brown? Siedentop? WilliamC.Brown? Siedentop? undefined undefined The Organized Writer Brief Rhet Im William C. Brown? Proffitt? WilliamC.Brown? Proffitt? undefined undefined Thinking Things Through Mayfield? Dianne Romain? Mayfield? DianneRomain? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Psychology&Counseling-Cognitive? Talking About People Im William C. Brown? Havliand? WilliamC.Brown? Havliand? undefined undefined Abnormal Psychology Mayfield? Schwartz? Mayfield? Schwartz? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Psychology&Counseling-Pathologies? Macgamut 2.0 Im William C. Brown? Blombach? WilliamC.Brown? Blombach? undefined undefined Juxtapositions Mayfield? VESTERMAN? Nsi? Mayfield? VESTERMAN? Nsi? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Linguistics-Applied? Subjects-Reference-Words&Language-Linguistics? Jacob Marley's Christmas Carol Adams Media Corp? Tom Mula? AdamsMediaCorp? TomMula? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Women Who Love Cats Too Much Adams Media Corporation? Allia Zobel? Nicole Hollander? AdamsMediaCorporation? AlliaZobel? NicoleHollander? undefined undefined Milestones of 20 Century Cal 2000 Golden Turtle Press,U.S.? GoldenTurtlePress,U.S.? undefined undefined The Creattive Curriculum - Webtutor on Webct International Thomson Publishing? Diane Trister Dodge? Laura J. Colker? InternationalThomsonPublishing? DianeTristerDodge? LauraJ.Colker? Substores-UnknownASINs-35 Subjects-Nonfiction-Education-Preschool&Kindergarten? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-Preschool&Kindergarten? Subjects-Professional&Technical-Education-General? Dear Life The Unspoken Story of Destiny Authorhouse? Shanalee S. Smith? Authorhouse? ShanaleeS.Smith? 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Adams Publishing? AdamsMediaCorp? AdamsPublishing? Substores-UnknownASINs-35 Formats-Accessories-Journals-BlankBooks? Peanut Butter and Jelly Sherbet (Blank Book Series) Adams Media Corp? Adams Publishing? AdamsMediaCorp? AdamsPublishing? Substores-UnknownASINs-35 Formats-Accessories-Journals-BlankBooks? Adventures in Fugawiland Mayfield? T.Douglas Price? Anne Birgitte Gebauer? Mayfield? T.DouglasPrice? AnneBirgitteGebauer? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Science-Archaeology-General? Mega Warheads, Coffee Stands, and Off-Shore Islands How to Make and Protect Your Money Authorhouse? Jaroslav Kramar? Authorhouse? JaroslavKramar? Substores-UnknownASINs-35 Subjects-Business&Investing-PersonalFinance-General? Without Prejudice Authorhouse? Ben R., Ph.D. Games? Authorhouse? BenR.,Ph.D.Games? Substores-UnknownASINs-35 Subjects-Literature&Fiction-ShortStories-General? Pure in Heart The Legend of the Great Dragon El Shebeba Authorhouse? William D. S. Leonard? Authorhouse? WilliamD.S.Leonard? ユーズドブック(洋書)-ScienceFiction&Fantasy? Substores-UnknownASINs-35 Subjects-ScienceFiction&Fantasy-Fantasy-General? Disasters of 20 Century Cale 2000 Golden Turtle Press,U.S.? GoldenTurtlePress,U.S.? undefined undefined The Cavalcade of England's Kings and Queens What Americans Really Want to Know About Our English Heritage Authorhouse? H. Eugene Lehman? Authorhouse? H.EugeneLehman? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Ethnic&National-Irish? Subjects-History-Europe-England-General? Subjects-History-Europe-Ireland-General? The Cavalcade of England's Kings Queens What Americans Really Want to Know About Our English Heritage Authorhouse? H. Eugene Lehman? Authorhouse? H.EugeneLehman? Substores-UnknownASINs-35 Subjects-History-Europe-England-General? Subjects-History-Europe-Ireland-General? Alphabet Soup Foreign Language Gamebook K-12 Monolingual Friendly Authorhouse? Annette Frey? Authorhouse? AnnetteFrey? Substores-UnknownASINs-35 Subjects-Children sBooks-People&Places-Multilingual-General? Subjects-Nonfiction-Education-LanguageInstruction-General? Subjects-Reference-ForeignLanguages-General? Mathematics in Society and History (Episteme) Springer? Sal Restivo? Springer? SalRestivo? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-History&Philosophy-General? Washington's Mistress Authorhouse? Solomon Henner? Authorhouse? SolomonHenner? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? Dynamic Poetrys of Life Authorhouse? Jometta Styles-Johnson? Authorhouse? JomettaStyles-Johnson? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? 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第３幕 ヴェネツィア ヴェネツィアの大運河を見下ろす宮殿にある宴会場 奥にはゴンドラのための流れる水 手すり 階段 柱 灯り シャンデリア クッション 花 手前にはサイドドア さらに奥には幅の広い門やアーケードが切れて他のギャラリーにつながっている ジュリエッタのゲストたちは固まって立っていたりクッションの上に横になったりしている 明るく活気に満ちた情景 N° 13. 導入と舟歌 【ニクラウス】 美しい夜！おお 愛の夜よ ほほ笑んでおくれ 私たちの陶酔に！ 夜はずっと甘い 昼間よりも おお美しい夜よ 愛の！ 【ジュリエッタとニクラウス】 時は飛び去り 戻っては来ない 運び去って行く 私たちの優しさを はるか遠く この幸せな場所から 時は飛び去り 戻っては来ない 燃え立つそよ風よ 注いでおくれ 私たちにお前の愛撫を 燃え立つそよ風よ 与えておくれ 私たちにお前のキスを 注いでおくれ 私たちにお前のキスを ああ！ 美しい夜！おお 愛の夜よ ほほ笑んでおくれ 私たちの陶酔に！ 夜はずっと甘い 昼間よりも おお美しい夜よ 愛の！ おお美しい夜よ 愛の！ ああ！ほほ笑んでおくれ 私たちの陶酔に！ ほほ笑んでおくれ 私たちの陶酔に！ 愛の夜よ！ おお美しい夜よ 愛の！ ああ！ああ！ああ！ああ！ 【コーラス】 ああ！…ああ！…ああ！… ああ！…ああ！…ああ！… （ジュリエッタとニクラウスはゆっくりと背景からやって来て 前面に入ってくる） N° 14. レシタティーヴォとバッカスのクープレ 【ホフマン】 私にはこんなものはどうでも良いのだ そうとも！ 私を惑わすものなど！ 美人の足元に われら酔いしれて近づいて 喜びとはため息をつくことなのか？ 違う！…グラスを手に 飲み 笑い 歌うんだ！ 飲み 笑い 歌うんだ！ （ジュリエッタは右手のソファの上に座り ホフマンの歌に次第に引き込まれる） 諸君 優しくて夢のような愛など 間違いだ！ 【コーラス】 間違いだ！ 【ホフマン】 喧騒とワインのもとにある愛こそ 神だ！ 【コーラス】 神だ！ 【ホフマン】 燃える願いで 諸君の心に火を付けよ！ 快楽の熱気で 焼き尽くせ 諸君の魂を！ 愛の激情よ 続くのだ 一日！ 続くのだ 一日！ ああ！ 地獄へ落ちろ 泣く奴は 二つの美しい瞳のことで！ われら最高に酔いしれよう 喜びの歌に！ 一時を生きよう 天国で！ ああ！ 【コーラス】 地獄へ落ちろ 泣く奴は 二つの美しい瞳のことで！ 【ホフマンとコーラス】 われら最高に酔いしれよう 喜びの歌に！ 【ホフマン】 生きよう 一時を 天国で！ 【コーラス】 そうだ 生きよう 天国で！ 【ホフマン】 天は諸君に与えてくれる 清らかさを 美を！ 【コーラス】 美を！ 【ホフマン】 だがお前たちは隠している おお鉄の心よ 地獄を！ 【コーラス】 地獄を！ 【ホフマン】 パラダイスでの幸福 そこでは愛が誘っている 誓いを 呪われた希望を 人生の夢を おお貞節よ！ おお純潔よ！ 嘘だ 嘘っぱちだ！ ああ！… 地獄へ落ちろ 泣く奴は 二つの美しい瞳のことで！ われら最高に酔いしれよう 喜びの歌に！ 一時を生きよう 天国で！ ああ！ 【コーラス】 地獄へ落ちろ 泣く奴は 二つの美しい瞳のことで！ 【ホフマンとコーラス】 われら最高に酔いしれよう 喜びの歌に！ 【ホフマン】 生きよう 一時を 天国で！ 【コーラス】 そうだ 生きよう 天国で！ シェーナ C 【シュレミール】 大した祝宴だな 驚いたよ マダム！ 【ジュリエッタ】 どうしてなの？私はあなたのため泣いたのよ 三日も！ 【ピティキナッチョ】 そうだ！ 【シュレミール】 （ピチチナッチョへ） できそこないめ！ 【ピティキナッチョ】 何だと！ 【ジュリエッタ】 （彼らを鎮めて） 落ち着いて！ 私たちのところに外国の詩人が来てるのよ （ホフマンを指して） ホフマン！ 【シュレミール】 （不貞腐れて） ムッシュー！ 【ホフマン】 （皮肉っぽく） ムッシュー！ 【ジュリエッタ】 （シュレミールへ） 笑ってちょうだい お願いだから！ それから座って ファラオの席に （ジュリエッタは皆を賭博場へと連れて行こうと誘った後出口に行く ホフマンはジュリエッタに彼の手を差し出しに行く、シュレミールは激しくその邪魔をする） 【コーラス】 万歳！ファラオ！ 【シュレミール】 畜生め！ （シュレミールは自分を落ち着かせようとしているジュリエッタの手を取る） 【ジュリエッタ】 （ゲストたちへ） カジノです！カジノです！みなさん！ 【コーラス】 カジノだ！カジノだ！カジノだ！ （その場の全員出て行く ホフマンとニクラウスだけ残る） 【ニクラウス】 （ホフマンへ） 一言！…ぼくには二頭の鞍をつけた馬がいる 最初の夢で ぼくのホフマンが恋に狂わされたら 彼を連れ去ってくれるんだ 【ホフマン】 それでどんな夢が いったい 生まれるって言うんだ こんな現実の中から？ 愛するというのか 娼婦を？ 【ニクラウス】 あのシュレミールは しかし… 【ホフマン】 私はシュレミールじゃない 【ニクラウス】 気をつけるんだ 悪魔は狡猾だ （ダペルトゥットが現れる） 【ホフマン】 もしもそいつが私にそんな女を愛させたら 私は構わないぞ 呪われても！ 行こう！ 【ニクラウス】 行こう！ （ニクラウスとホフマンは出て行く） 【ダペルトゥット】 （ひとり） 行け！ 貴様と戦う用意はできているぞ ジュリエッタの瞳は強力な武器だ！ それはシュレミールをも屈服させたのだ… 悪魔とキャプテンの名にかけて お前もなるのだ 奴のように 俺は望んでるぞ ジュリエッタがあいつに呪いをかけることを あいつに呪いをかけることを 今日こそ N° 15. ダペルトゥットのアリア 輝け ダイヤモンドよ！ 鏡よ ヒバリを捕えるものよ 輝け ダイヤモンドよ！魅了しろ 引き寄せよ！ ヒバリも 女も この勝利の餌に ときめかせる 翼を 心を 片方は落とし その命を そしてもう片方は失うのだ その魂を 片方は落とし その命を そしてもう片方は失うのだ その魂を ああ！…輝け ダイヤモンドよ！ 鏡よ ヒバリを捕えるものよ 輝け ダイヤモンド 引き寄せよ！ 引き寄せよ そいつを！引き寄せよ そいつを！ 美しいダイヤモンドよ 引き寄せよ そいつを！ 美しいダイヤモンドよ 輝け 引き寄せよ！ シェーナ D （ジュリエッタはダペルトゥットが彼女に差し出したダイヤモンドに向かって魅了されたように歩み出て来る） 【ダペルトゥット】 （ジュリエッタの指に指輪を通して） 愛しき天使よ！ 【ジュリエッタ】 何がお望みなのかしら あなたのしもべに？ 【ダペルトゥット】 よし！お前が推測した通りだ 心の誘惑にかけては大変な知識をもち お前はすでに私に与えてくれた シュレミールの影を！ 私は変えようと思う 慰みの対象を お前に頼みたいのだ 影を手に入れることを あのホフマンから 今日 【ジュリエッタ】 何ですって！彼の影を！ 【ダペルトゥット】 そうだ！奴の影だ お前は疑うのか 自分の眼の威力を？ 【ジュリエッタ】 いいえ！ 【ダペルトゥット】 そうかな？ お前のホフマンは見ているようだぞ もっと良い夢を… （厳しく） そうだ ちょうど今聞いていたが （皮肉を込めて） 奴はお前など眼中にない…眼中にないぞ！ 【ジュリエッタ】 （力をこめて） ああ！私の玩具にしてやるわ！ （ホフマンが現れる） 【ダペルトゥット】 あれは奴だ！あれは奴だ！ （ダペルトゥットはジュリエッタの手にキスをして出て行く ホフマンは舞台を横切り ジュリエッタに挨拶して歩いて出て行こうとする） 【ジュリエッタ】 （ホフマンへ） あなたは私を残して行くの？ 【ホフマン】 私はすべてを失いました… 【ジュリエッタ】 どうして！あなたもなのね！ ああ！あなたは私を傷つけるわ！ ああ！あなたは私を傷つけるわ！ （泣きながら） 同情もなく 感謝もないのね 行って！…行ってちょうだい！ 【ホフマン】 （勢いを込めて） あなたの涙はあなたを裏切っていますよ！ ああ！愛しています！たとえこの人生を犠牲にしても！ N° 16. 二重唱 【ジュリエッタ】 不幸なお方！ あなたはご存じないのね 一時が 一瞬が あなたの命を奪うかもしれないことを？ 私の愛が永遠にあなたを失うかもしれないことを もしあなたが留まるならば？ シュレミールが今夜 あなたを討つかもしれないのよ 私の腕の中で？ 拒まないで 私の願いを！ 私の命はすべてあなたのもの！ 行って！行ってちょうだい！明日は約束しますから 一緒について行くと あなたの行く先に！ 【ホフマン】 おお神よ 何という陶酔で 抱き締めるのか 私の魂を！ 神々しい音楽のように あなたの声が染み渡ってくる！ 甘く燃える炎で 私の存在は焼き尽くされ あなたの眼差しは私の目に 注ぎ込むのだ その炎を 輝く星のように！ そして私は感じる おおわが愛しのひとよ 通り過ぎるのが あなたのさわやかな吐息が 私の唇の上を そして私の目の上を！ 通り過ぎるのが あなたのさわやかな吐息が 私の唇の上を そして私の目の上を！ おお神よ 何という陶酔で 抱き締めるのか 私の魂を？ あなたの眼差しは私の目に 注ぎ込むのだ その炎を！ 【ジュリエッタ】 今日は だけど 私の勇気を奮って 私は頂こうと思っているの あなたのあるものを 【ホフマン】 何をおっしゃるのですか？ 【ジュリエッタ】 聞いて 笑わないで 私のこと！ 私が欲しいもの あなたから それは忠実な影なの それは映し出しているの あなたの姿を あなたの目を あなたの顔を （鏡を手に取って） 映ってるでしょ こうして私の方にもたれかかって 【ホフマン】 何だって！私の影を？そんな馬鹿な！ 【ジュリエッタ】 いいえ それは切り離せるの 磨かれた鏡なら 私の心の中にすっぽりと入って隠れることもできるの 【ホフマン】 あなたの心に？ 【ジュリエッタ】 私の心によ！私よ 私なのよ あなたに懇願してるのは！ ホフマン 私の願いを叶えて！ 【ホフマン】 あなたはそれを望むのですか？ 【ジュリエッタ】 私はそれが欲しいの そうよ 賢くても愚かでも 私はそれを望むの 欲しいの！ たとえあなたの存在が私から奪われても 【ホフマン】 恍惚よ 尽きせぬ陶酔よ！ 【ジュリエッタ】 私は取って 取っておきたいの あなたから 【ホフマン】 奇妙な 奇妙な そして甘い恐怖！ 【ジュリエッタ】 あなたの影 あなたの魂 そしてあなたの命を！ 【ホフマン】 私の影 私の魂 そして私の命を 【ジュリエッタ】 いとしい人 ああ！それをください 私に！ 【ホフマン】 あなたに あなたに ずっとあなたに あなたに！ 【ジュリエッタ】 あなたの影 それをください 私に！ 私の心はそれを待っています あなたから！ああ！ 【ジュリエッタとホフマン】 今日は 今日は涙 だけど明日は 明日は天国！ 今日は 今日は涙 だけど明日は天国！ ああ！今日は涙 だけど明日は天国！ その手に天国を！ シェーナ E （シュレミールが入って来る 続いてニクラウス ダペルトゥット ピティキナッチョ その他のゲストたち） 【ジュリエッタ】 シュレミール！ 【シュレミール】 そうだと思ってたぜ！一緒にいると！ （彼は戻ってゲストたちに声をかける） 来てくれ みんな 来てくれ ホフマンのせいで 見ての通り 俺たちは見捨てられたってわけだ （皮肉に笑う） 【ホフマン】 ムッシュー！ 【ジュリエッタ】 （ホフマンに） 黙って！彼は持ってるの 私の鍵を （小声で ホフマンへ） 私 あなたを愛してるから！ 【ピティキナッチョ】 （シュレミールへ） 殺そうぜ こいつを 【シュレミール】 辛抱しろ 【ダペルトゥット】 （ホフマンに近づいて 皮肉っぽく） あんた えらく蒼ざめてるな！ 【ホフマン】 私が！ 【ダペルトゥット】 （彼に鏡を見せて） しっかり見てみろ！ 【ホフマン】 （鏡を見て愕然とする） そんな！ 【ニクラウス】 （ホフマンへ） どうしたんだ？ 【ホフマン】 （恐怖に駆られて） 私の影が！ （2つの大きな鏡の間を交互に走って） 私はなくしてしまった 自分の影を！ 私の影を！ 【ニクラウス】 （ジュリエッタを指して 皮肉に） マダムのためにね！ 【全員（ホフマンとニクラウスを除く）】 あ！は！は！見ろ こいつの怯え方を！ 【ニクラウス】 ああ！行こう 逃げるんだ 君が魂を失いかねないこんな場所から 【ホフマン】 （激しく） いやだ！いやだ！ 私は彼女を愛してる 愛してるんだ！ほっといてくれ！ N° 16 bis. 七重唱 【ホフマン】 ああ！私の心は再びさまよっている！ 私の感覚はまた燃え上がる 呪われたのだ この愛に 私を貪る！ 私の理性を鎮めることもできずに 【ダペルトゥット】 馬鹿なホフマン！恋が再び 無駄にお前を燃やしたのだ！ 【ホフマン】 あの澄んだ まるで夜明けのような額の下 地獄でさえも私を酔わせるのだ 【ダペルトゥット】 お前のあの美人は 夜明けの眼差しで われらに売るのだ その甘いキスを 【ホフマン】 私は彼女を憎み そして私は彼女を愛している！ 私は死にたいのだ 彼女のキスで！ 【ジュリエッタ】 私の素敵なホフマン、私はあなたが好き だけど私 拒む気はないの 【ホフマン】 私はまだ夢を見ている 私を燃やせ！ 呪われたのだ 私を貪るこの愛に！ 【ダペルトゥット】 馬鹿なホフマン！ われらに甘いキスをだ 【ジュリエッタ】 あのダイヤモンドを 暁の光と輝く キスするだけで貰えるのなら 【ホフマン】 私の感覚はまた燃え上がる！ この火はおさまることはないのだ！ 【ダペルトゥット】 馬鹿なホフマン！奴はまた恋してるぞ！ 馬鹿なホフマン！奴はまた恋してるぞ！ 【ジュリエッタ】 私の素敵なホフマン、私の好きな 【ニクラウス】 ああ！彼の心はまだ燃えている！ 【ホフマン】 私は彼女を憎み そして焦がれている！ 【ダペルトゥット】 そしてあの美人 奴の焦がれる女は 【シュレミール】 俺の嫌いなあの詩人め すぐにでもキスをしそうだぜ 【ジュリエッタ】 私 拒む気はないわ 一度のキスだけで買えるものを 【ニクラウス】 わざわざ自分を酔わせている！ 愛が彼を燃やし 彼を貪ってるんだ 【ホフマン】 私の心は再びさまよっている！ 【ピティキナッチョ】 馬鹿なホフマン！馬鹿なホフマン！ 【ダペルトゥット】 売るのだ その夜明けの眼差しを 【シュレミール】 もしも俺がしなかったらな そいつを鎮めるために 【コーラス】 ああ！彼はまた恋に落ちた！ 【ジュリエッタ】 だって私 女ですもの 好きになるわ 【ニクラウス】 あの女を見つめている彼の視線は 告げている 彼がとても愛していることを！ 【ホフマン】 夜明けの光の下で 【ピティキナッチョ】 お前が愛されていると思い込むのは 【ダペルトゥット】 なぜならあの淫乱が愛するのは自分だけだ 【シュレミール】 鋼の刃を振り回すことを 俺はそうするのなら得意だぜ！ 【コーラス】 あの美人に 夜明けの瞳の 彼の愛してる 【ジュリエッタ】 だって私 女ですもの 好きになるわ 【ニクラウス】 何もない ああ！彼を鎮めるものは！ 【ホフマン】 地獄でさえも私を酔わせるのだ！そう 私を酔わせるのだ！ 【ピティキナッチョ】 貴様がまだ青いからさ！ 【ダペルトゥット】 あの炎の宝石がなおも 【シュレミール】 さあ 話し合おうじゃねえか そしたら俺が鎮めてやるぜ 【コーラス】 恋を引き裂く心を持ってる！ 【ジュリエッタ】 何だって もっともっと 私を助けてくれるものなら あなたを酔わせるのに 【ニクラウス】 彼の心は壊れてしまうぞ！ 彼の哀れな心は壊れてしまうぞ ああ！ 【ホフマン】 私はあの女を軽蔑する ああ！ ああ！そして私はあの女に焦がれるのだ！ 【ピティキナッチョ】 まだとても青い！ 【ダペルトゥット】 あの女を美しくし われらを酔わせるならば それはあの女にはキスと同じ値打ちなのさ 【シュレミール】 そのいかれた情熱をな 貴様を貪ってる 【コーラス S】 ダメなのよ 愛しては！死んでしまう そのキスで 【コーラス A】 無駄なこと あの女に惚れるのは！ あの女はキスを売るんだから！ 【コーラス T】 気を静めるんだ 気を静めるんだ！ 【コーラス B】 ああ！ああ！ 【ジュリエッタ】 詩人さん 気を鎮めなきゃだめよ！詩人さん！ 詩人さん！ 【ニクラウス】 彼の哀れな心は壊れてしまうぞ ああ！ ああ！ 【ホフマン ピティキナッチョ】 ああ！ああ！ああ！ああ！ ああ！ 【ダペルトゥット】 そうだ 詩人よ ああ！ああ！ ああ！ 【シュレミール】 そうだ そうだ そうだ 震えるがいい！ 震えるが！ 【コーラス S A】 さあ心を静めなさい ああ！ ああ！ 【コーラス T B】 そうだ そうだ そうだ そうだ ああ！ ああ！ N° 17. フィナーレ 【ジュリエッタ】 お聞きください 皆さま！ ほら ゴンドラが 時間ですわ 舟歌の そしてお別れの！ 【ニクラウス】 来るのか 君は？ 【ホフマン】 いや まだだ 【ニクラウス】 分かった だけどぼくは君を見守るよ 【シュレミール】 何をあんた待ってるんだ ムッシュー？ 【ホフマン】 お前の持ってる鍵を貰いたい 誓ったんだ 【シュレミール】 もしこの鍵が欲しけりゃ 俺の命も一緒だぜ ムッシュー！ 【ホフマン】 じゃあ頂こう 両方とも！ 【シュレミール】 やってみやがれ！ 覚悟！ 【ダペルトゥット】 あんた 剣を持ってないな？ これを取りな！ 【ホフマン】 有難い！ （彼らは戦う シュレミールは致命傷を受けて倒れる ホフマンは彼の首から小さな鍵を取りジュリエッタの部屋に飛び込んで行く ピチキナッチョはシュレミールを注意深く見て死んでいることを確かめる ） 【コーラス】 ああ！…ああ！… （ダペルトゥットは静かに彼の剣を拾い上げてそれを鞘の中に戻し それからギャラリーに戻る） 美しい夜！おお 愛の夜よ ほほ笑んでおくれ 私たちの陶酔に 夜はずっと甘い 昼間よりも おお美しい夜よ 愛の！ おお美しい夜よ 愛の！ ああ！ほほ笑んでおくれ 私たちの陶酔に 愛の夜よ！おお愛の夜 ああ！…ああ！… （ジュリエッタはゴンドラに現れ、同時にホフマンが入って来る） 【ホフマン】 誰も居ないぞ！ 【ジュリエッタ】 ア！ハ！ハ！ 【ダペルトゥット】 お前はどうする それで？ 【ジュリエッタ】 あなたのため 奴を捨てるわ！ 【ピティキナッチョ】 愛しの天使よ！ （彼はゴンドラに乗りこむ ジュリエッタは彼をその腕に抱く） 【ホフマン】 卑劣な！ 【ニクラウス】 ホフマン！ホフマン！警官だ！ （ニクラウスはホフマンを引き摺って行く） Acte III A Venise À Venise, Galerie de fête, dans un palais donnant sur le Grand Canal. Eau praticable au fond pour les gondoles. Balustrade, escaliers, colonnes, lampadaires, lustres, coussins, fleurs. Portes latérales sur le premier plan; plus loin de larges portes ou arcades en pans coupés, conduisant à d’autres galeries. Les hôtes de Giulietta sont groupés debout ou étendus sur des coussins. Tableau brillant et animé. N° 13. Entr’acte et Barcarolle NICKLAUSSE Belle nuit, ô nuit d’amour, Souris à nos ivresses! Nuit plus douce que le jour, O belle nuit d’amour! GIULIETTA ET NICKLAUSSE Le temps fuit et sans retour Emporte nos tendresses, Loin de cet heureux séjour Le temps fuit sans retour Zéphirs embrasés, Versez-nous ves caresses, Zéphirs embrasés, Donnez-nous vos baisers! Versez-nous vos baisers! Ah! Belle nuit, ô nuit d’amour, Souris à nos ivresses! Nuit plus douce que le jour, O belle nuit d’amour! O belle nuit d’amour! Ah! souris à nos ivresses! Souris à nos ivresses! Nuit d’amour! O belle nuit d’amour! Ah! ah! ah! ah! CHŒUR Ah!… ah!… ah!… Ah!… ah!… ah!… (Giulietta et Nicklausse entrent en scène, venant lentement de la galerie du fond) N° 14. Récit et Couplets Bachiques HOFFMANN Et moi, ce n’est pas là, pardieu! ce qui m’enchante! Aux pieds de la beauté qui nous vient enivrer, le plaisir doit-il soupirer? Non!… Le verre à la main, on boit, on rit, on chante! on boit, on rit, on chante! (Giulietta s’asseoit à droite sur un divan où elle s’étend peu à peu en écoutant Hoffmann) Amis, l’amour tendre et rêveur, Erreur! CHŒUR Erreur! HOFFMANN L’amour dans le bruit et le vin, Divin! CHŒUR Divin! HOFFMANN Que d’un brûlant désir Votre coeur s’enflamme! Aux fièvres du plaisir Consumez votre âme! Transports d’amour, Durez un jour! Durez un jour! Ah! Au diable celui qui pleure Pour deux beaux yeux! A nous l’ivresse meilleure Des chants joyeux! Vivons une heure dans les cieux! Ah! CHŒUR Au diable celui qui pleure Pour deux beaux yeux! HOFFMANN ET CHŒUR À nous l’ivresse meilleure Des chants joyeux! HOFFMANN Vivons une heure dans les cieux! CHŒUR Oui, vivons dans les cieux! HOFFMANN Le ciel te préte sa charté, Beauté! CHŒUR Beauté! HOFFMANN Mais vous cachez, ô coeurs de fer, L’enfer! CHŒUR L’enfer! HOFFMANN Bonheur du paradis Où l’amour convie, Sermerits, espoirs maudits, Rèves de la vie, O chastetés! O puretés Mentez, mentez! Ah!… Au diable celui qui pleure Pour deux beaux yeux! A nous l’ivresse meilleure Des chants joyeux! Vivons une heure dans les cieux! Ah! CHŒUR Au diable celui qui pleure Pour deux beaux yeux! HOFFMANN ET CHŒUR À nous l’ivresse meilleure Des chants joyeux! HOFFMANN Vivons une heure dans les cieux! CHŒUR Oui, vivons dans les cieux! C Scène SCHLEMIL Je vois qu’on est en fête! À merveille, Madame! GIULIETTA Comment? mais je vous ai pleuré trois grands jours! PITICHINACCIO Dame! SCHLEMIL (à Pitichinaccio) Avorton! PITICHINACCIO Holà! GIULIETTA (les calmant) Calmez-vous! Nous avons un poète étranger parmi nous, (présentant Hoffmann) Hoffmann! SCHLEMIL (de mauvaise grâce) Monsieur! HOFFMANN (avec ironie) Monsieur! GIULIETTA (à Schlémil) Souriez-nous, de grâce! Et venez prendre place Au pharaon. (Giulietta, après avoir invité du geste tout le monde à la suivre dans la salle di jeu, se dirige vers la sortie. Hoffmann va pour offrir sa main à Giulietta; Schlémil intervient vivement) CHŒUR Vivat! Au pharaon! SCHLEMIL Morbleu! (Schlémil prend la main de Giulietta, qui cherche de le calmer.) GIULIETTA (aux invités) Au jeu! Au jeu! Messieurs! CHŒUR Au jeu! au jeu! au jeu! (Tout le monde sort, moins que Hoffmann et Nicklausse) NICKLAUSSE (à Hoffmann) Un mot!… J’ai deux chevaux sellés; au premier rêve Dont se laisse affoler mon Hoffmann, l’enlève. HOFFMANN Et quels rêves, jamais, pourraient être enfantés Par de telles réalités? Aime-t-on une courtisane? NICKLAUSSE Ce Schlémil, cependant… HOFFMANN Je ne suis pas Schlémil. NICKLAUSSE Prends-y garde, Le diable est malin. (Dapertutto paraît) HOFFMANN Le fût-il, s’il me la fait aimer, Je consens qu’il me damne! Allons! NICKLAUSSE Allons! (Nicklausse et Hoffmann sortent) DAPERTUTTO (seul) Allez! Pour te livrer combat Les yeux de Giulietta sont une arme certaine! Il a fallu que Schlemil succombât… Foi de diable et de capitaine Tu feras comme lui. Je veux que Giulietta l’ensorecelle, l’ensorcelle aujourd’hui. N° 15. Air de Dapertutto Scintille, diamant! Miroir où se prend l’alouette. Scintille, diamant! fascine, attire-la! L’alouette ou la femme A cet appât vainqueur Vont de l’aile ou du cœur. L’une y laisse la vie Et l’autre y perd son âme. L’une y laisse la vie Et l’autre y perd son âme. Ah!… scintille, diamant! Miroir où se prend l’alouette. Scintille, diamant, attire-la! attire-la! attire-la! Beau diamant, attire-la! Beau diamant Scintille, attire la! D Scène (Giulietta paraît et s’avance, commefascinée, vers le diamant que Dapertutto tend vers elle) DAPERTUTTO (passant la bague au doigt de Giulietta) Cher ange! GIULIETTA Qu’attendez-vous de votre servante? DAPERTUTTO Bien! Tu m’as deviné, A séduire les coeurs entre toutes savante, Tu m’as déjà donné l’ombre de Schlemil! Je varie mes plaisirs, Et te prie de m’avoir le reflet d’Hoffmann aujourd’hui. GIULIETTA Quoi! son reflet! DAPERTUTTO Oui! son reflet. Tu doutes la puissance de tes yeux? GIULIETTA Non! DAPERTUTTO Qui sait? Ton Hoffmann rêve peut-être mieux… (avec dureté) Oui, j’étais là tout à l’heure aux écoutes, (avec ironie) Il te défie… il te défie! GIULIETTA (avec force) Ah! j’en ferai mon jouet! (Hoffmann entre) DAPERTUTTO C’est lui! C’est lui! (Dapertutto sort après avoir baisé la main de Giulietta. Hoffmann traverse le théâtre, salue Giulietta et fait mine de s’éloigner) GIULIETTA (à Hoffmann) Vous me quittez? HOFFMANN J’ai tout perdu… GIULIETTA Quoi! vous aussi! Ah! vous me faites injure! Ah! vous me faites injure! (pleurant) Sans pitié, ni merci, Partez!… Partez! HOFFMANN (avec élan) Tes larmes t’ont trahie! Ah! je t’aime! fût-ce au pris de ma vie! N° 16. Duo GIULIETTA Malheureux! Tu ne comprends donc pas Qu’une heure, qu’un moment peuvent t’être funestes? Que mon amour te perd à jamais si tu-restes? Que Schlémil ce soir peut te frapper dans mes bras? Ne repousse pas ma prière! Ma vie est à toi tout entière! Pars! pars! demain je te promets d’accompagner tes pas! HOFFMANN Ô Dieu de quelle ivresse embrases-tu mon âme! Comme un concert divin ta voix m a pénétré! D’un feu doux et brûlant mon être est dévoré; Tes regards dans les miens ont épanché leur flamme, Comme des astres radieux! Et je sent, ò ma bien-aimée, Passer ton haleine embaumée Sur mes lèvres et sur mes yeux! Passer ton haleine embaumée Sur mes lèvres et sur mes yeux! O Dieu! de quelle ivresse embrasses-tu mon âme? Tes regards dans les miens ont épanché leur flamme! GIULIETTA Aujourd’hui, cependant, affermis mon courage En me laissant quelque chose de toi. HOFFMANN Que veux-tu dire? GIULIETTA Ecoute, et ne ris pas de moi! Ce qua je veux de toi c’est la fidèle image Qui reproduit tes traits, ton regard, ton visage. (prenant un miroir) Ce reflet qua tu vois sur le mien se pencher. HOFFMANN Quoi! mon reflet? quelle folie! GIULIETTA Non, car il peut se détacher de la glace polie Pour venir tout entier dans mon coeur se cacher. HOFFMANN Dans ton coeur? GIULIETTA Dans mon coeur! c’est moi, c’est moi qui t’en supplie! Hoffmann, comble mes voeux! HOFFMANN Tu le veux? GIULIETTA Je le veux, oui, sagesse ou folie, je l’attends, je le veux! Si ta présence m’est ravie, HOFFMANN Extase, ivresse inassouvie! GIULIETTA Je veux garder, garder de toi HOFFMANN Etrange, étrange et doux effroi! GIULIETTA Ton reflet, ton âme et ta vie! HOFFMANN Mon reflet, mon âme, et ma vie. GIULIETTA Ami, ah! donnes-les-moi! HOFFMANN À toi, à toi toujours, à toi, à toi! GIULIETTA Ton reflet, donne-le-moi! Mon coeur l’attend de toi! Ah! GIULIETTA ET HOFFMANN Aujourd’hui, aujourd’hui les larmes, Mais demain, demain les cieux! Aujourd’hui, aujourd’hui les larmes, Mais demain les cieux! Ah! Aujourd’hui les larmes, Mais demain les cieux! De main les cieux! E Scène (Schlémil entre suivi de Nicklausse, Dapertutto, Pitichinaccio et quelques autres invités) GIULIETTA Schlemil! SCHLEMIL J’en étais sûr! Ensemble! (Il remonte et s’adresse aux invités) Venez, Messieurs, venez, C’est pour Hoffmann, à ce qu’il semble, Que nous sommes abandonnes (Rires ironiques) HOFFMANN Monsieur! GIULIETTA (à Hoffmann) Silence! il a ma clé. (bas, à Hoffmann) Je t’aime! PITICHINACCIO (à Schlémil) Tuons-le. SCHLEMIL Patience. DAPERTUTTO (s’approchant d’Hoffmann, sarcastique) Comme vous êtes pâle! HOFFMANN Moi! DAPERTUTTO (lui présentant un miroir) Voyez plutôt! HOFFMANN (stupéfait, en regardant le miroir) Ciel! NICKLAUSSE (à Hoffmann) Quoi? HOFFMANN (avec une sorte d’effroi) Mon reflet! (courant à deux grandes glaces alternativement) J’ai perdu mon reflet! Mon reflet! NICKLAUSSE (montrant Giulietta, ironique) Pour Madame! TOUS (sauf HOFFMANN et NICKLAUSSE) Ah! ah! ah! Voyez son effroi! NICKLAUSSE Ah! viens, fuyons ces lieux où tu perdras ton âme. HOFFMANN (éperdu) Non! Non! Je l’aime, je l’aime! Laisse-moi! N° 16 bis. Septuor HOFFMANN Hélas! mon coeur s’égare encore! Mes sens se laissent embraser. Maudit l’amour qui me dévore! Ma raison ne peut s’apaiser. DAPERTUTTO Pauvre Hoffmann! l’amour encore Vainement vient t’embraser! HOFFMANN Sous ce front clair comme une aurore L’enfer même vient me griser. DAPERTUTTO Ta belle au regard d’aurore Nous a vendu son doux baiser. HOFFMANN Je la hais et je l’adore! Je veux mourir de son baiser! GIULIETTA Mon bel Hoffmann, je vous adore, Mais n’ai point l’âme à refuser HOFFMANN Je rêve encore et me laisse embraser! Maudit l’amour qui me dévore! DAPERTUTTO Pauvre Hoffmann! à nous son doux baiser. GIULIETTA Ce diamant aux feux d’aurore Qui ne me coûte qu’un baiser. HOFFMANN Mes sens se laissent embraser! Ce feu ne peut s’apaiser! DAPERTUTTO Pauvre Hoffmann! il aime encore! Pauvre Hoffmann! il aime encore! GIULIETTA Mon bel Hoffmann que j’adore, NICKLAUSSE Hélas! son coeur s’enflamme encore! HOFFMANN Je la hais et l’adore! DAPERTUTTO Et la belle qu’il adore aurore. SCHLEMIL Ce poète que j’abhorre Aurait bien tôt son baiser, GIULIETTA Je n’ai point l’âme à refuser Ce qui s’achète d’un baiser. NICKLAUSSE Il s’est laissé griser! L’amour le brûle et le dévore. HOFFMANN Mon coeur s’égare encore! PITICHINACCIO Pauvre Hoffmann! Pauvre Hoffmann! DAPERTUTTO A vendu son regard d’aurore. SCHLEMIL Si je n’avais là Pour les apaiser, CHŒUR Hélas! il aime encore! GIULIETTA Car je suis femme et j’adore NICKLAUSSE Son regard qui l’implore Dit assez qu’il l’adore! HOFFMANN Sous sa clarté d’aurore PITICHINACCIO Si tu crois que l’on t’adore, DAPERTUTTO Car la coquette s’adore. SCHLEMIL Un acier souple et sonore Dont je sais fort bien user! CHŒUR La belle au regard d’aurore Ou il adore GIULIETTA Car je suis femme et j’adore NICKLAUSSE Rien, hélas! ne pourra l’apaiser! HOFFMANN L’enfer même vient me griser! Oui, me griser! PITICHINACCIO Te cervelle est jeune encore! DAPERTUTTO Un bijou de feu qui peut encore SCHLEMIL Amis, nous allons causer, Et je vais apaiser CHŒUR Prend les coeurs pour les briser! GIULIETTA Tout ce qui peut encore M’aider à vous griser. NICKLAUSSE Son coeur va se briser! Son pauvre coeur va se briser, hélas! HOFFMANN Je la méprise, hélas! Hélas! et je l’adore! PITICHINACCIO Très jeune encore! DAPERTUTTO L’embellir et nous griser Vaut bien pour elle un baiser. SCHLEMIL L’ardeur folle qui te dévore! CHŒUR S Malheur à qui l’adore! On meurt de son baiser CHŒUR A C’est en vain qu’on l’adore! Elle vend son baiser! CHŒUR T Tâche de t’apaiser! Tâche de t’apaiser! CHŒUR B Hélas! Hélas! GIULIETTA Poète, il faut vous apaiser! poète! Poète! NICKLAUSSE Son pauvre coeur va se briser, hélas! Hélas! HOFFMANN PITICHINACCIO Hélas! Hélas! Hélas! Hélas! DAPERTUTTO Oui, poète. Hélas! Hélas! SCHLEMIL Oui, oui, oui, oui, tremble! Tremble! CHŒUR S A Dis à ton coeur de s’apaiser. Hélas! Hélas! CHŒUR T B Oui, oui, oui, oui, hélas! Hélas! N° 17. Final GIULIETTA Ecoutez, messieurs! Voici les gondoles, L’heure des barcarolles Et celle des adieux! NICKLAUSSE Viens-tu? HOFFMANN Pas encore. NICKLAUSSE Je comprends; mais je veille sur toi. SCHLEMIL Qu’attendez-vous, monsieur? HOFFMANN Que vous me donniez certaine clé que j’ai juré d’avoir. SCHLEMIL Vous n’aurez cette clé, qu’avec ma vie, monsieur! HOFFMANN Je prendrai donc l’une et l’autre! SCHLEMIL C’est ce qu’il faut voir! En garde! DAPERTUTTO Vous n’avez pas épée? Prenez la mienne! HOFFMANN Merci! (Ils se battent. Schlémil est blessé à mort et tombe. Hoffmann lui prend une petite clef pendue à son cou. Il s’élance dans l’appartament de Giulietta. Pitichinaccio regarde Schlémil avec curiosité et s’assure qu’il est bien mort) CHŒUR Ah!… Ah!… (Dapertutto ramasse tranquillement son épée et la remet au fourreau, puis il remonte vers la galerie) Belle nuit! O nuit d’amour, Souris à nos ivresses; Nuit plus douce que le jour, O belle nuit d’amour! O belle nuit d’amour! Ah! Souris à nos ivresses; Nuit d’amour! O nuit d’amour! Ah!… Ah!… (Giulietta paraît dans une gondole; au même moment, rentre Hoffmann) HOFFMANN Personne! GIULIETTA Ah! ah! ah! DAPERTUTTO Qu’en fais-tu maintenant? GIULIETTA Je te l’abandonne! PITICHINACCIO Cher ange! (Il entre en gondole; Giulietta le prend dans ses bras) HOFFMANN Misérable! NICKLAUSSE Hoffmann! Hoffmann! Les sbires! (Nicklausse entraîne Hoffmann) この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Offenbach,Jacques/Les Contes d Hoffmann/IV+
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Subjects-Science-Technology-General&Reference Making Hypermedia Work A User's Guide to Hytime Kluwer Academic Pub? Steven J. Derose? David G. Durand? KluwerAcademicPub? StevenJ.Derose? DavidG.Durand? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-InternetPublishing? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Wide-Gap Luminescent Materials Theory and Applications (Kluwer International Series in Engineering and Computer Science) Kluwer Academic Pub? Stanley R. Rotman? KluwerAcademicPub? StanleyR.Rotman? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-Optoelectronics? Subjects-Engineering-Electrical&Electronics-Electronics-General? 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Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Managing Environmental Risk Through Insurance (Studies in Risk and Uncertainty) Springer? Paul K. Freeman? Howard Kunreuther? Springer? PaulK.Freeman? HowardKunreuther? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Insurance-General? Subjects-Business&Investing-Industries&Professions-Insurance-Liability? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? 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Subjects-Science-Technology-General&Reference Bell Alexander Graham Bell and the Conquest of Solitude Cornell Univ Pr? Robert V. Bruce? CornellUnivPr? RobertV.Bruce? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Engineering-Patents&Inventions? Subjects-Engineering-Telecommunications-TelephoneSystems? Subjects-Professional&Technical-Engineering-Telecommunications-TelephoneSystems? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-Technology-General&Reference Technology in the Western Political Tradition Cornell Univ Pr? Jerry Weinberger? Arthur M. Melzer? Michigan State University Political Science Dept? Reason, and Modern Democracy Symposium on Science? M. Richard Zinman? CornellUnivPr? JerryWeinberger? ArthurM.Melzer? MichiganStateUniversityPoliticalScienceDept? Reason,andModernDemocracySymposiumonScience? M.RichardZinman? ジャンル別? Subjects-Nonfiction-Politics-General? 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CornellUnivPr? MartinKevorkian? ジャンル別? Subjects-Business&Investing-Marketing&Sales-Advertising? Subjects-Computers&Internet-Business&Culture-History? Subjects-History-Americas-UnitedStates-AfricanAmericans-AfricanAmericanStudies? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-SpecialGroups-African-AmericanStudies? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Advertising? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Color Monitors The Black Face of Technology in America Cornell Univ Pr? Martin Kevorkian? CornellUnivPr? MartinKevorkian? ジャンル別? Subjects-Business&Investing-Marketing&Sales-Advertising? Subjects-Computers&Internet-Business&Culture-History? Subjects-History-Americas-UnitedStates-AfricanAmericans-AfricanAmericanStudies? Subjects-Nonfiction-SocialSciences-Sociology-General? 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Subjects-Science-Technology-General&Reference We'll Call You If We Need You Experiences of Women Working Construction (ILR Press Books) Ilr Pr? Susan Eisenberg? IlrPr? SusanEisenberg? ジャンル別? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Nonfiction-Politics-Labor&IndustrialRelations? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Science-Technology-General&Reference The Complete Swimming Pool Reference Mosby-Year Book? Tom Griffiths? Mosby-YearBook? TomGriffiths? ジャンル別? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Health,Mind&Body-General? Subjects-Home&Garden-How-to&HomeImprovements-SwimmingPools? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Sports-Miscellaneous-SportsFacilitiesManagement? Subjects-Sports-WaterSports-General? Subjects-Sports-WaterSports-Swimming? Multiple Purpose River Development Johns Hopkins University Press? John V. Krutilla? Otto Eckstein? JohnsHopkinsUniversityPress? JohnV.Krutilla? OttoEckstein? ジャンル別? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Science-Nature&Ecology-NaturalResources-General? Subjects-Science-Technology-General&Reference Economics and the Environment A Materials Balance Approach Resources for the Future? Allen V. Kneese? ResourcesfortheFuture? AllenV.Kneese? ジャンル別? Substores-UnknownASINs-20? Subjects-Business&Investing-Economics-Macroeconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-Macroeconomics? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Macroeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-Nature&Ecology-NaturalResources-General? Subjects-Science-Technology-General&Reference Understanding Technology Johns Hopkins University Press? Charles Susskind? JohnsHopkinsUniversityPress? CharlesSusskind? ジャンル別? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Philadelphia's Philosopher Mechanics; A History of the Franklin Institute, 1824-1865. Johns Hopkins Univ Pr? Bruce Sinclair? JohnsHopkinsUnivPr? BruceSinclair? ジャンル別? Substores-UnknownASINs-20? Subjects-History-Americas-UnitedStates-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Economic Analysis of Agricultural Projects (Edi Series in Economic Development) Johns Hopkins Univ Pr? J. Price Gittinger? JohnsHopkinsUnivPr? J.PriceGittinger? ジャンル別? Substores-UnknownASINs-20? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? 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Substores-UnknownASINs-20? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-ElementarySchool? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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ACTE PREMIER Le jour de la Feria CRIS DE FOULE derrière le rideau Alza! alza! alza! Le rideau se lève. Une place publique en Espagne. A droite une hôtellerie. A gauche la demeure de la belle Dulcinée. Foule, grand mouvement, danses, beuveries. Alza! Alza! Olé etc. en désignant la maison de Dulcinée; gaîment Vivat Dulcineée, fantasque et fêtée! Vivat! Vivat! Vivat! Alza! Alza! etc. Arrivent alors les 4 amoureux sous le balcon de Dulcinée PEDRO, GARCIAS, RODRIGUEZ, JUAN Belle, dont le charme est l empire, Faites l aumône d un sourire, Et d un regard de vos grands yeux À nos pauvres coeurs amoureux, Dulcinée, enchanteresse, Pour un instant Délaisse le nouvel amant Que t a choisi ta fantaisie; Et parais Devant tes sujets, Ô Dulcinée! Ô souveraine! Dulcinée! Reine! Gentille Reine! TOUS Parais! LA FOULE Anda! Alza! Anda! Les Danses reprennent Dulcinée apparaît sur le balcon. Les Danses s arrêtent. Les 4 amoureux avec joie apercevant Dulcinée. PEDRO, GARCIAS, RODRIGUEZ, JUAN Dulcinée! LA FOULE se courbant avec admiration Dulcinée! DULCINÉE gaie, debout sur le balcon Alza! Alza! à la foule, amusée Quand la femme a vingt ans, la majesté surpême Ne doit pas avoir grands attraits! L on possède un beau diadème, Mais après, mes amis après? après? On vit dans une apothéose, Vos jours, sont de gloire entourés, Mais il doit manquer quelque chose Ou quelqu un, ou quelqu un... gaîment Ah! Comme vous voudrez. TOUS Tous, à Dulcinée, en l applaudissant avec enthousiasme Belle dont le charme est l empire; Dulcinée! Reine! Sois notre Reine! DULCINÉE chaleureusement Alza! Quand la femme a vingt ans, D hommages l on vous environne Durant le jour; oui, mais la nuit... Parce qu on porte une couronne... Le temps d amour s enfuit. Hélas! Hélas! Et pour calmer le coeur morose Et les ennuis exaspérés, Il doit bien manquer quelque chose Ou quelqu un, ou quelqu un... Ah! Comme vous voudrez. TOUS Dulcinée! Reine! Sois notre Reine! Alza! DULCINÉE Alza! Alza! à tous, avec effusion Amis, à tous, ici,merci! Amis, merci, merci! Elle disparaît pendant les acclamations joyeuses de la foule qui se répand sur la place. La foule s est répandue sur la place et dans les rues avoisinantes. Rodriguez et Juan causent à l écart. RODRIGUEZ légèrement Dulcinée est certes jolie, Mais on doit l aimer seulement Comme on cueille une fleur, un matin de printemps, Autrement c est folie! JUAN avec un soupir attristé Je l adore pourtant, Cette perverse enchanteresse. RODRIGUEZ avec pitié Si tu l aimes d amour fervent... Que de tristesse tu te réserves, Mon pauvre ami! Très au loin on entend des rires et des acclamations; c est la venue de Don Quichotte et de Sancho qui en est la cause. RODRIGUEZ rieur, ayant regardé au loin pour se rendre compte d où venaient ces rumeurs joyeuses. Pour te désennuyer, Regarde Don Quichotte et son gros écuyer. JUAN avec un rire méprisant Ce fantoche grotesque, Ce vieux fou pédantesque, Qui déclare que Dulcinée Est la "Dame De ses pensées!" Tandis que celle-ci se rit de lui! RODRIGUEZ avec fermeté Tant pis! Car il est brave Et franc comme une lame... JUAN moqueur Et beau! RODRIGUEZ sincère De la beauté merveilleuse de l âme. JUAN méprisant Certes, il est extravagant, Toqué, cocasse, inélégant. RODRIGUEZ Mais il secourt la veuve et les enfants sans mère. JUAN Apôtre halluciné? RODRIGUEZ Porté par la Chimère, Il parcourt plaines et vallons, Escalade les pics, Poursuit les chemins longs. JUAN rieur Ah! c est un être exquis! RODRIGUEZ De très haute envergure Que le bon Chevalier... JUAN terminant ironiquement la phrase ...de la Longue Figure! LA FOULE par groupes, au fond de la place; regardant au dehors Allégresse! autre groupe Allégresse! Les acclamations se rapprochent. Groupes venant du dehors et annonçant la venue de Don Quichotte. Allégresse! groupes venant du dehors; de même Allégresse! Don Quichotte est monté sur Rossinante; il a la lance au poing. Sancho est sur son Grison. Entrée comique. Les enfants les précèdent en faisant la roue. La Foule s amuse en les acclamant, des bonnets sautent en l air. Don Quichotte est revêtu de sa vieille armure, casqué de son armet. Toute la foule entourant Don Quichotte impassible et Sancho radieux. LA FOULE en acclamations joyeuse Vive Don Quichotte de la Manche! Vive le fidèle et bon Sanche! Vivat pour Rossinante... et l âne et l écuyer! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Vive le Chevalier et son l écuyer! Vive Don Quichotte! Allégresse! Allégresse! à tue-tête Vive le Chevalier et son écuyer! Vive Don Quichotte! en acclamations Vive Don Quichotte de la Manche! Don Quichotte de la Manche Et le fidèle et bon Sancho! Vive le Chevalier Don Quichotte!! DON QUICHOTTE sur son cheval; il a gardé sa lance et dit, ravi, à Sancho C est merveille de voir comme l on me connaît! Don Quichotte descend de cheval; les deux montures sont remises à un valet. SANCHO la bouche s épatant d un énorme rire Même-moi, gros benêt, Je prends ma large part des vivats qu on adresse. Il serre joyeusement les mains tendues. Des pauvres, des estropiés, viennent, tendant leurs chapeaux rapiècés. DON QUICHOTTE à Sancho Sancho, vide ta poche, et réjouis ces gueux Car il faut qu aujourd hui nous soyons tous heureux! brandissant sa lance, les yeux au ciel Vivent les Séraphins, les Archanges, les Trônes! SANCHO piteux Notre pauvre souper qui se fond en aumônes. DON QUICHOTTE pendant que Sancho distribue l argent à tout la canaille Donne! donne! donne! Sois généreux mon fils! Et tâche comme moi d être jeune... amoureux. LA FOULE acclamant Don Quichotte Vive Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE avec enthousiasme, entouré par la foule, jeune, ardente Ah! c est beau la jeunesse, et bon quoiqu on en dise! LA FOULE Ah! c est beau la jeunesse, et bon quoiqu on en dise! DON QUICHOTTE avec élan Cette gaité m emparadise! avec amour, avec une chaude tendresse Je voudrais que la joie embaumât les chemins, La bonté la coeur des humains, Qu un éternel soleil il luminât les plaines, heureux et calme Que les bois éventés par de fraîches haleines N eussent que des parfums et des fruits savoureux, Des ruisseaux chantant clair, et que tout fût heureux! Acclamations; la foule jette des brassées de fleurs à Don Quichotte. C est comme un défilé qui passe devant le Chevalier. LA FOULE Allégresse! Allégresse! Vivat! Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE, SANCHO à la foule Merci! Merci! LA FOULE frénétiquement Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Allégresse! La place se vide peu à peu; le défilé se désagrège. LA FOULE 8 ténors, rieurs; en passant Vive le Chevalier! 8 sopranos, rieuses; en passant Vive le Chevalier! 6 contraltos, rieuses; en passant Vive le Chevalier! 4 basses, en sortant, en riant Vivat! 4 ténors, rieurs; en sortant Vive le Chevalier! 6 ténors, au dehors Vivat! 4 barytons, au dehors Vivat! Le crépuscule commence; très peu d abord. Don Quichotte envoie un long baiser à la fenêtre de Dulcinée. DON QUICHOTTE avec une passion exubérante; montrant le balcon O Dulcinée! SANCHO l interrompant; en exagérant le cri passioné de Don Quichotte Ah!!! Vous allez ameuter alcade, régidor, riant Peut-être réveiller le Cid Campéador! Maître, je serais fier de voir la noble dame, Mais c est plus fort que moi, mon gosier me réclame... Cette rouge lueur, qui me clignote au loin, C est l auberge où j aurai grand soin De me saoûler, non d allégresse, Mais de la vraie et bonne ivresse! DON QUICHOTTE froid Laisse-moi! SANCHO goguenard Seigneur, Sous ce balcon, goûtez votre bonheur. lui retirant son bonnet Je suis votre assoiffé, mais humble serviteur. Sancho s en va, tout en chantant ce vieux refrain Ah! Comme on vous héberge Dans cette auberge! Ah! Comme on vous héberge Dans cette auberge! Dans cette auberge! en s éloignant Dans cette auberge! gros rires Ah! ah! ACTE PREMIER Le jour de la Feria CRIS DE FOULE derrière le rideau Alza! alza! alza! Le rideau se lève. Une place publique en Espagne. A droite une hôtellerie. A gauche la demeure de la belle Dulcinée. Foule, grand mouvement, danses, beuveries. Alza! Alza! Olé etc. en désignant la maison de Dulcinée; gaîment Vivat Dulcineée, fantasque et fêtée! Vivat! Vivat! Vivat! Alza! Alza! etc. Arrivent alors les 4 amoureux sous le balcon de Dulcinée PEDRO, GARCIAS, RODRIGUEZ, JUAN Belle, dont le charme est l empire, Faites l aumône d un sourire, Et d un regard de vos grands yeux À nos pauvres coeurs amoureux, Dulcinée, enchanteresse, Pour un instant Délaisse le nouvel amant Que t a choisi ta fantaisie; Et parais Devant tes sujets, Ô Dulcinée! Ô souveraine! Dulcinée! Reine! Gentille Reine! TOUS Parais! LA FOULE Anda! Alza! Anda! Les Danses reprennent Dulcinée apparaît sur le balcon. Les Danses s arrêtent. Les 4 amoureux avec joie apercevant Dulcinée. PEDRO, GARCIAS, RODRIGUEZ, JUAN Dulcinée! LA FOULE se courbant avec admiration Dulcinée! DULCINÉE gaie, debout sur le balcon Alza! Alza! à la foule, amusée Quand la femme a vingt ans, la majesté surpême Ne doit pas avoir grands attraits! L on possède un beau diadème, Mais après, mes amis après? après? On vit dans une apothéose, Vos jours, sont de gloire entourés, Mais il doit manquer quelque chose Ou quelqu un, ou quelqu un... gaîment Ah! Comme vous voudrez. TOUS Tous, à Dulcinée, en l applaudissant avec enthousiasme Belle dont le charme est l empire; Dulcinée! Reine! Sois notre Reine! DULCINÉE chaleureusement Alza! Quand la femme a vingt ans, D hommages l on vous environne Durant le jour; oui, mais la nuit... Parce qu on porte une couronne... Le temps d amour s enfuit. Hélas! Hélas! Et pour calmer le coeur morose Et les ennuis exaspérés, Il doit bien manquer quelque chose Ou quelqu un, ou quelqu un... Ah! Comme vous voudrez. TOUS Dulcinée! Reine! Sois notre Reine! Alza! DULCINÉE Alza! Alza! à tous, avec effusion Amis, à tous, ici,merci! Amis, merci, merci! Elle disparaît pendant les acclamations joyeuses de la foule qui se répand sur la place. La foule s est répandue sur la place et dans les rues avoisinantes. Rodriguez et Juan causent à l écart. RODRIGUEZ légèrement Dulcinée est certes jolie, Mais on doit l aimer seulement Comme on cueille une fleur, un matin de printemps, Autrement c est folie! JUAN avec un soupir attristé Je l adore pourtant, Cette perverse enchanteresse. RODRIGUEZ avec pitié Si tu l aimes d amour fervent... Que de tristesse tu te réserves, Mon pauvre ami! Très au loin on entend des rires et des acclamations; c est la venue de Don Quichotte et de Sancho qui en est la cause. RODRIGUEZ rieur, ayant regardé au loin pour se rendre compte d où venaient ces rumeurs joyeuses. Pour te désennuyer, Regarde Don Quichotte et son gros écuyer. JUAN avec un rire méprisant Ce fantoche grotesque, Ce vieux fou pédantesque, Qui déclare que Dulcinée Est la "Dame De ses pensées!" Tandis que celle-ci se rit de lui! RODRIGUEZ avec fermeté Tant pis! Car il est brave Et franc comme une lame... JUAN moqueur Et beau! RODRIGUEZ sincère De la beauté merveilleuse de l âme. JUAN méprisant Certes, il est extravagant, Toqué, cocasse, inélégant. RODRIGUEZ Mais il secourt la veuve et les enfants sans mère. JUAN Apôtre halluciné? RODRIGUEZ Porté par la Chimère, Il parcourt plaines et vallons, Escalade les pics, Poursuit les chemins longs. JUAN rieur Ah! c est un être exquis! RODRIGUEZ De très haute envergure Que le bon Chevalier... JUAN terminant ironiquement la phrase ...de la Longue Figure! LA FOULE par groupes, au fond de la place; regardant au dehors Allégresse! autre groupe Allégresse! Les acclamations se rapprochent. Groupes venant du dehors et annonçant la venue de Don Quichotte. Allégresse! groupes venant du dehors; de même Allégresse! Don Quichotte est monté sur Rossinante; il a la lance au poing. Sancho est sur son Grison. Entrée comique. Les enfants les précèdent en faisant la roue. La Foule s amuse en les acclamant, des bonnets sautent en l air. Don Quichotte est revêtu de sa vieille armure, casqué de son armet. Toute la foule entourant Don Quichotte impassible et Sancho radieux. LA FOULE en acclamations joyeuse Vive Don Quichotte de la Manche! Vive le fidèle et bon Sanche! Vivat pour Rossinante... et l âne et l écuyer! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Allégresse! Allégresse! Vive Don Quichotte de la Manche! Vive, vive le bon Sanche! Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Vive le Chevalier et son l écuyer! Vive Don Quichotte! Allégresse! Allégresse! à tue-tête Vive le Chevalier et son écuyer! Vive Don Quichotte! en acclamations Vive Don Quichotte de la Manche! Don Quichotte de la Manche Et le fidèle et bon Sancho! Vive le Chevalier Don Quichotte!! DON QUICHOTTE sur son cheval; il a gardé sa lance et dit, ravi, à Sancho C est merveille de voir comme l on me connaît! Don Quichotte descend de cheval; les deux montures sont remises à un valet. SANCHO la bouche s épatant d un énorme rire Même-moi, gros benêt, Je prends ma large part des vivats qu on adresse. Il serre joyeusement les mains tendues. Des pauvres, des estropiés, viennent, tendant leurs chapeaux rapiècés. DON QUICHOTTE à Sancho Sancho, vide ta poche, et réjouis ces gueux Car il faut qu aujourd hui nous soyons tous heureux! brandissant sa lance, les yeux au ciel Vivent les Séraphins, les Archanges, les Trônes! SANCHO piteux Notre pauvre souper qui se fond en aumônes. DON QUICHOTTE pendant que Sancho distribue l argent à tout la canaille Donne! donne! donne! Sois généreux mon fils! Et tâche comme moi d être jeune... amoureux. LA FOULE acclamant Don Quichotte Vive Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE avec enthousiasme, entouré par la foule, jeune, ardente Ah! c est beau la jeunesse, et bon quoiqu on en dise! LA FOULE Ah! c est beau la jeunesse, et bon quoiqu on en dise! DON QUICHOTTE avec élan Cette gaité m emparadise! avec amour, avec une chaude tendresse Je voudrais que la joie embaumât les chemins, La bonté la coeur des humains, Qu un éternel soleil il luminât les plaines, heureux et calme Que les bois éventés par de fraîches haleines N eussent que des parfums et des fruits savoureux, Des ruisseaux chantant clair, et que tout fût heureux! Acclamations; la foule jette des brassées de fleurs à Don Quichotte. C est comme un défilé qui passe devant le Chevalier. LA FOULE Allégresse! Allégresse! Vivat! Don Quichotte! Don Quichotte! Don Quichotte! Don Quichotte! DON QUICHOTTE, SANCHO à la foule Merci! Merci! LA FOULE frénétiquement Vive le Chevalier Don Quichotte de la Manche! Vive Sanche! Vive Rossinante et l âne! Allégresse! Allégresse! Allégresse! Allégresse! La place se vide peu à peu; le défilé se désagrège. LA FOULE 8 ténors, rieurs; en passant Vive le Chevalier! 8 sopranos, rieuses; en passant Vive le Chevalier! 6 contraltos, rieuses; en passant Vive le Chevalier! 4 basses, en sortant, en riant Vivat! 4 ténors, rieurs; en sortant Vive le Chevalier! 6 ténors, au dehors Vivat! 4 barytons, au dehors Vivat! Le crépuscule commence; très peu d abord. Don Quichotte envoie un long baiser à la fenêtre de Dulcinée. DON QUICHOTTE avec une passion exubérante; montrant le balcon O Dulcinée! SANCHO l interrompant; en exagérant le cri passioné de Don Quichotte Ah!!! Vous allez ameuter alcade, régidor, riant Peut-être réveiller le Cid Campéador! Maître, je serais fier de voir la noble dame, Mais c est plus fort que moi, mon gosier me réclame... Cette rouge lueur, qui me clignote au loin, C est l auberge où j aurai grand soin De me saoûler, non d allégresse, Mais de la vraie et bonne ivresse! DON QUICHOTTE froid Laisse-moi! SANCHO goguenard Seigneur, Sous ce balcon, goûtez votre bonheur. lui retirant son bonnet Je suis votre assoiffé, mais humble serviteur. Sancho s en va, tout en chantant ce vieux refrain Ah! Comme on vous héberge Dans cette auberge! Ah! Comme on vous héberge Dans cette auberge! Dans cette auberge! en s éloignant Dans cette auberge! gros rires Ah! ah! Massenet,Jules/Don Quichotte/ActⅠ-2
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AUE ... Auer, Anita. 2006. "Precept and Practice The Influence of Prescriptivism on the English Subjunctive", in Syntax, Style and Grammatical Norms English from 1500-2000, ed. Christiane Dalton-Puffer, Dieter Kastovsky Nikolaus Dieter, pp. 33-54. Bern Peter Lang. Auer, Anita. 2008. "Lest the situation deteriorates a study of lest as a trigger of the inflectional subjunctive", in Standards and Norms in the English Language, ed. Miriam A. Locher Juerg Straessler, pp. 149-73. Berlin Mouton de Gruyter. Auer, Anita. 2008. "Eighteenth-Century Grammars and Book Catalogues." In Grammars, Grammarians and Grammar-Writing in Eighteenth-Century England. Ed. Ingrid Tieken-Boon van Ostade. Berlin Mouton de Gruyter. pp. 57-78. Auer, Anita. 2008. "'The Letter s Wihch /s That I Wrote' Self-corrections in Late Modern English Letters". in Studies in Late Modern English Correspondence Methodology and Data, ed. Marina Dossena Ingrid Tieken-Boon van Ostade, pp. 213-234. Bern Peter Lang Auer, Anita. 2014. "Nineteenth-Century English Norms and Usage", in Norms and Usage in Language History, 1600-1900, ed. Gijsbert Rutten, Rik Vosters Wim Vandensussche, pp. Amsterdam John Benjamins. Auer, Anita. 2016. "The Origin and Development of the Iffy-an(d) Construction", in Linguistics and Literary History In Honour of Sylvia Adamson, ed. Anita Auer, Victorina González-Díaz, Jane Hodson Violeta Sotirova. 2016. , pp. 31-48. Amsterdam John Benjamins. Auer, A. 2018. "Urban literacies and processes of supralocalisation A historical sociolinguistic perspective", in N. Braber S. Jansen (Eds.), Sociolinguistics in England (pp. 13–34). London Palgrave MacMillan. Auer, A. 2019. "Linguistic regionalism in the York Corpus Christi plays", in A. Auer, D. Renevey, C. Marshall T. Oudesluijs (Eds.), Revisiting the Medieval North Interdisciplinary Approaches (pp. 111–122). Cardiff University of Wales Press. Auer, Anita and Victorina Gonzalez-Diaz. 2005. "Eighteenth-century Prescriptivism in English - A Re-evaluation of Its Effects on Actual Language Usage." Multilingua, 24(4) 317-341. Auer, Anita, Victorina González-Díaz, Jane Hodson Violeta Sotirova. 2016. Linguistics and Literary History In Honour of Sylvia Adamson. Amsterdam John Benjamins. Auer, A., M. Gordon. M. Olson. 2016. "English urban vernaculars, 1400–1700 Digitizing text from manuscript", in M. J. López-Couso, B. Méndez-Naya, P. Núñez-Pertejo I. Palacios-Martínez (Eds.), Corpus Linguistics on the Move Exploring and Understanding English through Corpora (pp. 21–40). Amsterdam Brill/Rodopi. Auer, A., Schreier, D. Watts, R.J. (eds.) 2015. Letter Writing and Language Change. Cambridge CUP. Auer, Anita and Marcel Withoos. 2013. "Social Stratification and Stylistic Choices in Thomas Dekker's The Shoemaker's Holiday." English Text Construction 6.1 134–157.
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Übertreffen(踊) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Ubertreffen TAKA respect for J.S.B X 踊8 174 277 / 8 STREAM VOLTAGE AIR FREEZE CHAOS 57 50 1 18 7 楽譜面(5) / 踊譜面(8) / 激譜面(14) / 鬼譜面(-) 属性 渡り、交互難 譜面 http //eba502.web.fc2.com/fumen/ddr/x/ubertref_8t.html 譜面動画 http //www.nicovideo.jp/watch/sm21181129 http //www.nicovideo.jp/watch/sm21181129 (x2.0,NOTE, Clap) プレイ動画 http //www.youtube.com/watch?v=_pVTsNQ6ZZo#t=125 (x2.0, NOTE, 2 05～4 03) 解説 踊譜面ながらＸ譜面らしい交互難で、４分でスライドして８分を如何に踏み切るかが勝負 -- 名無しさん (2013-09-26 21 36 38) 名前 コメント コメント(私的なことや感想はこちら) 名前 コメント